Since it's become a bit of a thing I do, I'll also post my new piece of music here. It's in 11-tones per octave, and so sort of fits in with the conworlding aspect of this blog: essentially, this could be music of a culture where intervals such as 11/8, 14/11, 7/4 and 17/14 are valued, but where equal temperament also became a thing. For the most likely way in which such a culture could develop, I suggest looking into Paul Erlich's paper on the 22-tone scale.
For the record, the paper is not a conworlding paper, it is a paper about the tuning. But, since these properties exist, it is conceivable that some culture would like those properties and therefore start using 22-tet as their tuning.
A culture that develops music based on 22-tone equal temperament would sooner or later possibly try to utilize a variety of arbitrary subsets of that temperament, including the rather obvious idea of using only every other tone, and even from there of using even fewer out of those. (An analogy could be how in the late 19th century, the wholetone scale started finding favour among some composers. 11-tet is obviously almost twice as large as the wholetone scale, so a further search for scales 'inside' it makes sense.)
Anyways, here's the piece.